Probst To Survivor Fans: TiVo Doesn’t Help Our Ratings

Survivor-TiVo

Over the years, I’ve had more than one love affair with a TV show. But no matter how much I’ve enjoyed epic hits like 24, Alias or Joey Grecco’s Cheaters, none of them have been able to generate the level of excitement that I feel when I watch Survivor. I’m not sure if it’s the Machiavellian nature of the show or simply being able to watch an assortment of characters who are so wacky that they end up making Gilligan’s Island look like the Love Boat. I love the show so much, that I even organized a home version of the game with my family over the holidays… and I ended up getting voted out 2nd for trying to emulate Russell Hantz’s bulldog strategy.

Because Survivor is the number #1 show on my Season Pass priority list, you would think that I’d never miss an episode. But every year Survivor changes the name of their show just a little bit, so that DVR subscribers have to resubscribe to each new season.

While this may or may not be hurting Survivor’s DVR consumption, the fact that the producers of the show haven’t noticed has always baffled me. It’d be like me changing my RSS feed every six months, so that only my superfans could easily follow my blog. Unless you like languishing in obscurity, this isn’t a very good strategy for retaining an audience or capturing people’s attention.

Recently, Jeff Probst, the host of Survivor, launched a blog to promote the show and other charitable causes that he cares about. On his site, he solicits questions from fans and answers the more common ones. While all tidbits about the show caught my attention, one particular answer jumped out at me. In answering the question of how long will Survivor continue to run, Probst says that the survival of Survivor is dependent upon live viewers because “TiVo doesn’t help us in the ratings.”

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AllVid Alliance Formed; TiVo & Google On Board

The AllVid battle lines between the Consumer Electronics Association (CEA) and the National Cable & Telecommunications Association (NCTA) are being drawn. AllVid is a possible replacement for and enhancement of CableCARD technology being discussed by the FCC and now a group of companies from the electronics industry that have formed the “AllVid Tech Company Alliance.” … Read more

Why Do Companies Pre-Announce Products?

Jeremy Toeman suggests one cannot beat Apple’s iPad by building an iPad clone. And, generally speaking, that’s probably a fair observation. Yet you can still grab market share and generate revenue, especially if manage to undercut the competition on price. Unfortunately, the once pricey Apple is now affordable thanks to a shift in revenue model … Read more

Warner Brothers Launches Individual App Movies for iOS

Warner Brothers has begun offering “app editions” of movies for iOS. Here’s the idea: Instead of paying for a movie from iTunes, you can get the app edition from… iTunes, but along with the movie you get extras including scene selection, photos, videos, trivia, and sound clips/ there’s also a “share” area where you can … Read more

Apple, Google, and the Digital Publishing Wars

The slings and arrows are flying fast and furious. On the heels of Apple’s announcement yesterday of a new in-app subscription option for digital publishers, Google has news out today detailing its rival offering, the Google One Pass System. Google’s subscription plan is far kinder to publishers. As Dave noted, Apple takes a 30% cut … Read more

Apple’s Subscription Requirements Won’t Stand

Apple’s rejection of the Sony e-Reader app and announcement of App Store subscriptions, in conjunction with The Daily launch launch, seems to have agitated a large number of folks. I’d assumed the implications and resultant response was overblown. But it turns out that I was the one who misread the situation. From Apple CEO Steve Jobs yesterday:

Our philosophy is simple—when Apple brings a new subscriber to the app, Apple earns a 30 percent share; when the publisher brings an existing or new subscriber to the app, the publisher keeps 100 percent and Apple earns nothing. All we require is that, if a publisher is making a subscription offer outside of the app, the same (or better) offer be made inside the app

I can’t imagine many businesses will suddenly want to pass 30% of their subscription-based income on to Apple in exchange for a place in the App Store. In fact, those running on tight margins, like Pandora or Slacker, now find themselves confronted with a difficult decision — raise rates or abandon iOS.

But something’s got to give. Apple’s iPhone success is largely based on a vibrant ecosystem of third party apps and services. It’s symbiotic… and copacetic. At least it was. And not everyone will take this lying down. As Rhapsody stated in an email release I received:

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Netflix Channels Television, Hulu Runs Classic Films

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I’m so confused… Netflix, known for streaming commercial-free movie content has launched a whole bunch of new television shows (and modernized TV site organization, as shown above). While Hulu Plus, a product of the television studios themselves, lands the Criterion Collection of classic films. The lines are obviously blurring.

Although monthly subscription fees are similar, the two services still take somewhat different approaches in presentation. Namely, Hulu insists on running commercial advertising on its paid tier. But wait, might even that be up for renegotiation? From the Hulu blog:

Criterion Hulu Plus subscribers will be able to watch the Criterion Collection free of interruption. (Any ads will play up front.)

Also interesting, as highlighted on Hacking Netflix, is Criterion’s rational for choosing Hulu over Netflix:

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DoubleTwist for Android Now Streams to Xbox, PS3

The folks at doubleTwist have rolled out an update to their Android music player and desktop synchronization software that now lets users stream audio, video, and pictures from their phones to video game consoles. Here’s how it works. You install the $4.99 doubleTwist AirSync application on your device and your phone will show up as a … Read more