The Boxee App Explosion

Wanting to check out a “few” new apps?  Thanks in part to the Boxee dev challenge, Boxee has a boatload of new apps to show off.  The list has some really ingenious ones and some incredibly bizarre ones, but you can’t argue that there aren’t enough apps these days can you Boxee’s dev is open … Read more

New Popcorn Hour C-200 Media Tank Announced

The guys over at networkmediatank’s forums have been waiting anxiously for more details on the newest version of the Popcorn Hour (C200) and Sybas finally delivered the specs and a few pics to feed the frenzy. Some things I noticed when browsing the specs and the forum Q&A include: It’s pretty big – much bigger … Read more

Digital Media Bytes: NewTeeVee Edition

Leaving comments across the blogosphere NewTeeVee… Why Netflix Doesn’t Offer Subtitles or Closed Captions Netflix’s Chief Product Officer, Neil Hunt, wrote an interesting blog post today about why his company doesn’t offer subtitles or closed captions on its streaming content. Evidently, adding subtitles and closed captions is harder than it looks. Dave’s response: If Hulu … Read more

Old Mobile TV and New Mobile TV

The broadcast digital transition today reminded me of all the old “portable” TV sets that were once the height of cool tech, and are now headed to the junk yard. (Don’t throw them away, find out where to recycle at Earth911.com.) I had a couple versions of these old mobile TVs. One was portable in … Read more

Digital Media Bytes: Last100 Edition

A periodic roundup of relevant news… from our friends at Last100: WD HD Media Player just works Sometimes a seemingly complex problem requires the simplest of solutions. Case in point is Western Digital’s WD HD Media Player, which provides a near fool-proof way of watching almost any video downloaded from the Internet on the TV. … Read more

Hulu Premium – Free Online TV May Not Last

We’re getting back to that old saying, “there’s no such thing as a free lunch” with news of Hulu’s possible plans to charge for at least some content.  So one of the biggest advantages (and reasons for putting up with poorer video quality than broadcast/cable) just might be going away. According to an article in … Read more

Sling.com Enables OS X Slingbox Streaming

While there seems to be a resurgence of Slingbox haterade, EchoStar isn’t sitting by idly. A SlingCatcher software & firmware update was pushed out a few days ago, a Palm Pre mobile client is in the works, and we recently covered that unfortunate WiFi-only iPhone Slingplayer. Now, as promised back at Macworld, Sling.com has enabled … Read more

Fear Of A MiKrosVft Planet

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I need not fear my enemies because the most they can do is attack me. I need not fear my friends because the most they can do is betray me. But I have much to fear from people who are indifferent. – Russian Proverb

Now I know that most people don’t really care about the mechanics behind playing video files and I can’t say that I blame you for caring more about your content than the technology behind it. So while this post will get into some of the more mundane mechanics of the codec industry, I ask that you stick with me because behind the scenes a war is being fought for control of your very television. This particular codec battle has been going on for over 10 years now.

When J.D. Rockefeller set out to monopolize the oil industry, there were several crucial areas where he attacked. He knew that he couldn’t control all of the oil fields because it was literally bubbling out of the ground, but what he could control was the distribution method for getting oil to the end customer.

In building his monopoly he seized assets used to transport oil from raw material to the end consumer. Whether it was owning all of the oil pipelines, so that he could control what oil cost him, owning the railroads so he could dictate how far his competitors could reach or owning the distribution points where consumers bought kerosene to light their homes, he made sure that he had control over every aspect of it. This was good for Standard Oil investors, but wasn’t very good for competitors or consumers.

Online video may not seem like it has a lot to do with the oil industry, but if you look at it’s early development, there are many similarities. So much content is bubbling up that the real challenge isn’t finding video oil, it’s getting it to consumers. Instead of pipes, now we have internet access, instead of railroads there are CDN networks, instead of gas stations, there are operating systems ready to serve us 24 hours a day.

In all of these industries, competition has been limited to a handful of big companies, but the industry that I’m most interested is much smaller than any of these. In the grand scheme of things, codecs (and the filters that go along with them) are the refineries of the video world. They take digital signals and convert them into the flickering magic that appears on our screens. Consumers may not understand the technical details behind it, but they are a crucial chokepoint in your digital video experience.

This battle has been fought on many fronts, but in the end it always comes down to one issue. Those who think consumers should have a choice and those who think they know better. It’s about control over your entertainment experience. Who, What, Where, When, and How you are allowed to consume YOUR media. On one side, well funded corporations with huge financial stakes, on the other, an unorganized patchwork of misfit companies and an army of guerrilla volunteers desperately fighting for a better entertainment experience for all of us.

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